(Click to enlarge. / Haz click para ampliar.)
You might have thankfully forgotten but I’m working my way through the Dogwood 2016 photography challenge. I spared you Red (my efforts were dismal) and I’m not sharing Headshot because Sophisticated Young Lady, the only willing volunteer, is entitled to her privacy.
Which brings us to last week’s challenge: Landscape: Black & White. I went down to the Thames on Sunday afternoon; it was low tide.
Let’s not let March go by without some pictures of Spain…
Marzo no debe transcurrir sin fotos de España…
P.S. I think this will be the last post of Mediterranean Mondays (unless there are howls of protest). It's been running for a long time and I fancy a change. I will still continue to write and post photos about the Mediterranean of course; it just won't be always on Monday. P.D. Creo que esto será el último post de Mediterranean Mondays (a menos que hayan aullidos de protesta). Llevo escribiendo esta serie mucho tiempo y me apatece un cambio. Por supuesto, seguiré escribiendo y publicando fotos del Mediterráneo, es que no será siempre el lunes.
Under certain circumstances: very.
The first challenge of Dogwood2016 was a self-portrait, using the camera’s self-timer. Well, finding out how to do that was easy (I read the manual).
But the rest…!
If there’s anything I hate more than being seen with a camera in my hand, it’s being in front of the camera. I was only sure of one thing: the resulting self-portrait should not really show much of me. If you say that can’t be a self-portrait, yes, it can.
One of the greatest impediments to me becoming a better photographer is that I wouldn’t want to be seen dead with a camera in my hand.
Quick on the Trigger like John Wayne
In a city like London not wanting to be seen taking a picture does rather pose a problem. Even if you use a phone, even if you had an invisible camera, you would be still seen acting like a photographer.
What I’d like instead is to take great photos without behaving like a photographer.
To pull out the camera and shoot from the hip, as it were, in one quick movement, non-chalantly, seemingly without aiming but hitting the target for the first time, all the time. Yeah! Like John Wayne.
No comment. Sin comentarios.
(Click on the images to enlarge. Haz click en las imágenes para ampliar.)
You may also like / Quizás también te gusta: ⇒ Spain in Black & White ⇒ Tales of the Alhambra ⇒ Venice in Black & White This also doubles as my entry to Cee's Black & White Photo Challenge this week!
When I saw Cee’s latest black & white photo challenge, Made by Human Beings, I immediately thought of this statue in the British Museum. Over the years I’ve taken half a dozen photos of it; I just don’t seem to be able to pass it by (and you do have to pass by it on your way from the Great Court to the Parthenon Room) without stopping and taking another photo. Enjoy:
Hecho por los egipcios: un busto de Amenhotep III
Cuando vi el último reto de fotografía en blanco y negro de Cee, Made by Human Beings (Hecho por seres humanos), pensé, inmediatamente, en esta estatua en el Museo Británico. A lo largo de los años sacaba una media docena de fotos de ella; parece que no puedo pasar cerca de ella (y hay que pasar cerca de ella andando de Great Court a la sala de Parthenon) sin sacar otra foto. Disfruta:
Having visited Venice, Malta and Greece… it’s time for Spain!
It’s been a while since we’ve been to Italy… and the weather outside is pretty grey (this passes for summer hereabouts), so I thought it was time for a new instalment of Venice in Black & White.
Miss Britain III was a single-engine speedboat built by Hubert Scott-Payne, an aristocratic boat designer in 1933. Although it was then narrowly beaten in a race on the St Clair River in Michigan by Miss America X, a boat powered by four engines, later that year Miss Britain III broke the speed record for a single-engine motorboat with Scott-Payne and team-mate Gordon Thomas becoming the first men to travel over 100 miles per hour in a single-engined boat – a record that remained unbeaten for 50 years.
Since so many of you seem to like black & white pictures from around the Mediterranean… 🙂
No pictures of the Acropolis, I’m afraid, because – would you credit it! – on the day we forgot the camera. On the other hand, sacrilegiously, I dared to turn Santorini into black & white. Continue reading “Greece in Black & White”
Today’s miscellany is in the manner of my Venice in Black & White at the end of May (which was easily one of my most popular photo posts) and it doubles as response to Cee’s Compose Yourself photo challenge on the theme of Black & White: The Basics.
I took these photos when I was still under the impression that photography’s only purpose was to faithfully re-create the colourful, aromatic, tactile reality of the 3-D world around me, less than a year ago, during our holiday on Malta. Only one of the photos was taken with an actual camera, the rest were captured on phone.
My second entry for Cee’s Black & White Photo Challenge: In the Distance. A different take on the prompt altogether: a passageway with receding lights inside the Alcazaba of Mérida in Spain.
Link: Not all Spanish holidays have to be about beaches: to see the most impressive Roman ruins in Spain, why not visit Mérida in the Extremadura?
A young air-show goer remains enraptured while the heart drawn on the sky by the Red Arrows slowly dissolves.
Posted in reply to Cee’s Black & White Photo Challenge: In the Distance.
Link: If you'd like to see the Red Arrows, check out their 2016 schedule.
Black and white is powerful… and not just in the form of black words on white paper.