An estimated 10 million people, including up to 80% of the population of Paris, fled south from the German advance to seek safety beyond the River Loire in what became known in history as l’Exode – the Exodus.
Francia, junio 1940:
Se estima que 10 millones de personas, incluido hasta el 80% de la población de París, huyeron hacia el sur del avance alemán para buscar la seguridad más allá del río Loira en lo que se conoció en la historia como l’Exode: el Éxodo.
Africa has a lot going for it as a continent – like elephants – but somehow it doesn’t often feature among my readings. (That could be because I don’t keep re-reading Joseph Conrad’s Heart of Darkness.)
I read Red Strangers for a reading challenge a couple of years ago and boy, was it a challenge!… But the last paragraph made up for it all.
Perhaps that is the travellers deepest melancholy, that the joy of return is always mixed with a felling that is harder to define, the feeling that the places you have ached for since you first saw them simply went on existing without you, that if you really wanted to hold them close you would have to stay with them for ever.
But that would turn you into someone you cannot be, someone who stays at home, a sedentary being.
The real traveller finds sustenance in equivocation, he is torn between embracing and letting go, and the wrench of disengagement is the essence of his existence, he belongs nowhere. The anywhere he finds himself is always lacking in some particular, he is the eternal pilgrim of absence, of loss, and like the real pilgrims in this city he is looking for something beyond the grave of an apostle or the coast of Finisterre, something that beckons and remains invisible, the impossible.
Because The Samurai, this novel by Japanese author Shusaku Endo, has two protagonists for all that only one of them is mentioned in the title. Two main characters in parallel, united in purpose – yet in contrast to each other.
The purpose that unites them is gaining an agreement for the establishment of direct trade between Japan and Nueva España, New Spain, in exchange for Japan allowing Christian misssionaries to proselytise in the country. What separates them is… everything else, beginning with their reasons for setting out on the embassy. The year is 1613, and the warlord Tokugawa Ieyasu has recently managed to unify Japan under his own rule.
The samurai, Rokuemon Hasekura, hopes to get his ancestral lands back; the priest, Father Velasco, dreams of becoming the Bishop of Japan. Their desires will only be granted if their mission is successful… can they carry it off?
Visité Florencia, esta ciudad del arte renacentista, por unos días la semana pasada – un viaje organizado en la última hora, se puede decir. Viajé acompañado por un libro que, muy adecuadamente, lleva un retrato de la ciudad en la tapa: Matar a Leonardo da Vinci por el autor español, Christian Gálvez.
I visited Florence, this city of Renaissance art, for a few days last week – a last minute trip. Travelled in the company of a book which, very appropriately, carries a drawing of the city on the cover: Matar a Leonardo da Vinci (To Kill Leonardo da Vinci) by the Spanish author Christian Gálvez.
A word of warning here for English readers: this book review is going to benefit you little since it deals with a book which, to the best of my knowledge, hasn't been translated into English yet - and frankly, no loss if it never will be. With that caveat, please feel free to continue reading. :) (At least you'll know to avoid it if it ever comes out in English!)
Visits to Chatham Historic Dockyard, home among others to the diesel-electric submarine HMS Ocelot, and to the Royal Navy Museum in Portsmouth, home to HMS Alliance, a submarine built at the end of World War II, means I’ve got some photos of the outside and inside of the submarines to share. (Click on the gallery to enlarge photos.)
This being primarily a book blog, the photos are accompanied by a book list – half a dozen books set on submarines. Not a definite list, by any means; I have heard of several others well spoken off (but I haven’t got round to reading them yet). If you’d like to recommend a book on submarines that you enjoyed, please leave a comment below.
Everything in this book may well seem both to lovers of poetry and to classical scholars an unnecessary gloss upon the Odyssey. In one sense it is, for it is clearly unnecessary to attempt to trace the voyage of Ulysses when millions of people, for thousands of years, have been quite happy to read the Odyssey as if it was only a fable…
I do not think that anything is lost by attempting to find a skeleton – however magnificent the cupboard that hides it. I have seen coral formations disguising the old bones of ships, but I did not feel less amazed by the beauty of the coral just because I had found the timbers and iron frames which the polyps had disguised and decorated.
“Dogger. Gale warning.
Gale warning issued 14 March 03:43 UTC¹.
Wind southeast 4 or 5, increasing 6 to gale 8. Sea state moderate, becoming rough or very rough. Weather: occasional drizzle. Visibility good, occasionally poor.”
Shipping Forecast, issued 14 March 17:25 UTC, Met Office
If you ever heard the shipping forecast on BBC Radio 4 (an oddly soothing recital except when it’s inserted into the middle of the nailbiting finish of a test match), then you know that Dogger is one of the forecast zones in the North Sea.
Si has oído, alguna vez, el shipping forecast, es decir, el pronóstico marítimo, de BBC Radio 4 (un recital extrañamente tranquilizador (excepto cuando lo leen durante el emocionantísimo final de un partido internacional de críquet), sabes que Dogger es una de las zonas pronósticas marítimas en el Mar del Norte.
Up to 8000 B.C. Britain was connected to the Continent by a land bridge and Doggerland was above sea level. But as glacial ice melted after the last ice age, sea levels rose: Britain became an island, while Doggerland went to the bottom of the deep blue sea…
La mapa arriba ilustre como Gran Bretaña se convirtió en una isla.
Hasta 8000 a.C. Gran Bretaña estaba conectado al continente con un ‘puente’ de tierra y el territorio de Doggerland se encontró arriba del nivel del mar. Al terminar la era glacial, el nivel del mar se elevó: Gran Bretaña se convirtió en una isla, mientras que Doggerland se hundió al fondo del mar…
⇒ We Didn't Mean to Go to Sea by Arthur Ransome
Close your eyes and imagine one of those old maps which were illustrated with caravels and and fantastic sea animals, where the blank centre of Africa was marked terra incognita and faraway islands were labelled with the warning, Hic Sunt Dracones, Here Be Dragons¹. Is your pulse racing yet? Maps have an intoxicating power for those addicted to travel; historical maps are similarly intoxicating for those addicted to history. Since I’m addicted both to travel and history, you can imagine in what state maps leave me…
Aquí hay dragones
Cierra los ojos e imagínate uno des esos mapas antiguos, ilustrados con carabelas y animales marinos fantásticos, donde el centro en blanco de África se marcaba terra incognita e islas del ultramar se marcaban con la advertencia, Hic Sunt Dracones, aquí hay dragones¹. ¿Te acelera el pulso? Mapas tienen un poder embriagador para los que son adictos al viaje, y mapas históricos tienen un poder semejante embriagador para los que son adictos a la historia. Como que yo soy adicto a ambos, puedes imaginarte en que estado me quedo después de admirar unos mapas…
Which is perhaps why it occurred to me the other day that there are worse ways of summing up a country’s history than by examining a handful of telltale maps. A few countries immediately spring to mind as excellent candidates for this kind of exercise: I’ll start with my adopted country, England.
Quizás por eso me ocurrió la idea de contar la historia con un puñado de mapas elocuentes. Unos países se ofrecen inmediatamente como candidatos excelentes para este tipo de ejercicio: voy a empezar con mi país adoptivo, Inglaterra.
And since this pretends to be a book blog, I’ll throw in a handful of book recommendations too!
Y como eso pretende ser un blog de libros, ¡voy a añadir unos recomendaciones de libros también!
I hope you’ll enjoy The History of England in a Dozen Maps (coming tomorrow), the first post in what I hope to turn into a new series under the title of Mapping History.
Espero que os guste La historia de Inglaterra en una docena de mapas (saldrá mañana), el primer post en un series nuevo que intento con el título Mapping History (Historia en mapas).
¹ Wikipedia tells me that hic sunt dracones doesn't actually pop up on any map. Well, it's still a good phrase. :) It does appear, however, on the Hunt-Lenox Globe near the eastern coast of Asia and it might have been referring to the Komodo dragons. It might have.
¹ Wikipedia me dice que la frase hic sunt dracones, de hecho, no aparece en ningún mapa. Bueno, aun así se queda una frase encantadora. Se aparece, sin embargo en el Globo de Hunt-Lenox Globe, cerca de la costa oriental de Asia y pudiera referirse a los dragones de Komodo. Pudiera, dije.
Today’s quote is longer than usual: it’s an excerpt from Flight to Arras, a novel by Antoine de Saint-Exupéry and it captures the utter exhaustion of a squadron of French pilots during the German offensive on France in June 1940.
Like all Saint-Exupéry novels, Flight to Arras too was inspired by the author’s own experiences. Saint-Exupéry served in the French air force and continued to fight after the fall of France. He disappeared during a reconnaissance flight over the Mediterranean Sea in 1944; his identity bracelet was finally recovered from the sea in 1998. He’s the author of such classics as The Little Prince, Night Flight and Wind, Sand and Stars.
When someone brought forward a plan for the freedom of the Greeks, which, while not lacking idealism, was difficult to put into practice, he [Agis son of Archidamus] said, “Your words, my friend, need the backing of power and money.”
(Plutarch: Morals, Vol. III, Sayings of Spartans)
Cuando alguien proponía para la libertad de los griegos acciones no faltas de nobleza, pero difíciles de realizar, [Agis, hijo de Arquidamo] le decía: «Tus palabras, amigo, necesitan un aval de poder y dinero».
(Plutarco: Obras morales y de costumbres, III.
Máximas de espartanos)
After more than half a year of limiting myself to taking holiday photos, last week I suddenly remembered that I used to work my way through the 2016 Dogwood Photography Challenge. For those of you who don’t know, this is a 52-week challenge aimed at helping you to become a better photographer (it’s been extended to 2017 and now 2018 as well) and you can thank it for the only picture of me that you’re ever going to see on this blog – due to the fact that the week 1 challenge required a self-portrait…